This had all four engines (got 4/8 from the quiz but that's not the main point, it just has all four in neat soundcloud format..)
http://www.telegraph.co.uk/sport/mo...4-Do-you-know-your-cars-Name-that-engine.html
V10 are just insane but V6 easily holds it own. I'm pretty sure they need to make some decision in the production to raise live-sound levels all across the board. It's a large network of sound, it's measured and calibrated on V8s and there are guidelines to follow. With huge broadcasting and the network providing audio and video is MASSIVE, it's just not as easy as "just flick one fader up". The audio guys are not allowed to do that, you need to think about the whole picture, going as far as changing all microphones to suit the new demands. It just might be that with the current setup, the patterns pickup too much surrounding noises if you simply up the gain...There are million guidelines in order to keep everything consistent on hundreds of sources. My largest productions have been national broadcasts with couple of dozens of cameras and around triple that for sound sources.. The guidelines on that are pretty strict.The system on F1 broadcast is just absolutely mind boggling and the guidelines are to be taken literally no matter how stupid it may sound (pun intended)
So i'm afraid the first broadcast most likely will just be too quiet and it gets a redesign for the next race. And you can't do anything about it at home, there is also talking that is matched to the whole sound picture. IMHO, deal with the surround noises later if that's the reason for low levels... just up the gain (it's really frustrating to sit behind a sound desk and not been allowed to fix the issue, fadersurf if you must, it's more work and the end quality suffers but main priority in broadcasting is to get the information out, quality comes second....)